Mike Seymour, TyRuben Ellingson and Matt Wallin discuss the new Ridley Scott film Prometheus. Listen online here or subscribe for free in iTunes.
Behind the scenes clips from Hekla & Shepperton.
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Mike Seymour, TyRuben Ellingson and Matt Wallin discuss the new Ridley Scott film Prometheus. Listen online here or subscribe for free in iTunes.
Behind the scenes clips from Hekla & Shepperton.
Paul Thomas Anderson edited the trailer himself, which follows suit with trailers for his previous releases. The background music appears to be part of Radiohead member Jonny Greenwoodβs score. Greenwood also composed the music for There Will Be Blood.
Watch the teaser trailer above for the first look at The Master, which is scheduled for release October 12, 2012.
For some hard earned schawarma and an in-depth look at the visual effects in this Summer's massive hit that is "The Avengers" click on the images below to listen to the latest VFX Show podcast with myself, Matt Leonard and Mike Seymour.
In anticipation of the release of PrometheusMike Seymour, TyRuben Ellingson and Matt Wallin dissect the original Alien and Aliens films. Click on the image below to listen online and subscribe for free in iTunes.
Today, the NY Times ran a cover story on Paul Thomas Anderson's forthcoming film Click on the image below to read further.
Mike Seymour, Mark Christiansen and Jason Diamond review the visual effects in The Hunger Games. Click on the image below to listen to the show and subscribe for free via iTunes.
While researching another topic I came across this image from the set of 2001. I've seen the movie dozens of times over the years and read the great book by Piers Bizony, 2001: Filming the Future but I'd never seen this image before. I find it stunning and think it sums up so much about why cineastes just love Kubrick. They look like characters from Mad Men. I wish I could get a super highres poster of this image. I'd frame it and put it over my desk in my office for inspiration.
A few years ago my wife recommended that I read Nathaniel Philbrick's non-fiction book, "In the Heart of the Sea: The Tragedy of the Whaleship Essex". Its an amazing read and tells the harrowing true story that inspired Hermen Melville's, "Moby Dick". If I ran a major Hollywood Studio I'd greenlight this movie in a heartbeat and would try to get Ridley Scott, Philip Kaufmann or Peter Weir to take on the project.
The PBS program "American Experience" aired some incredible television this week with their telling of the history of American whaling.
Click on the image to watch the episode online.
Mike Seymour, Jeff Heusser and Matt Wallin take a journey to Mars to review the visual effects of John Carter. Click on the image below to listen to the show and subscribe for free in iTunes!
From the upcoming Special Edition Ascent: Commemorating Space Shuttle DVD/BluRay a movie from the point of view of the Solid Rocket Booster with sound mixing and enhancement done by Ben Burtt at Skywalker Sound.
My friend and artist Keith Edmier talks about rebuilding his childhood home. I got to shoot video documentation of Keith's retrospective show at Bard College back in 2007 where the entire house sat in the middle of the exhibtion. The kitchen has been recreated for its current incarnation at the Walker in Minneapolis.
My good friend Keith Edmier has a new website. Click on the image below to check out Keith's work:
When he was four years old, Edmier and his parents moved to Tinley Park, Illinois, a southwest suburb of Chicago. They bought a home in the Bremen Towne Estates subdivision, which was a small village within a village, having its own shopping mall, theater and churches. He had an early interest in sculpting, making masks much like those used for special effects in films. In order to learn how to create vampire fangs, he got an after-school job with a dental lab, where he learned how to use acrylics and molding techniques.
While still a student at Victor J. Andrew High School, he managed to strike up a correspondence with Hollywood makeup artist Dick Smith. After an early graduation from high school, Edmier set off for Hollywood, where he began learning more by working on movies such as The Fly. Edmier also attended the California Institute of the Arts for a brief period. It was here that he decided to make a career change from working in film to becoming an artist, moving to New York to pursue that goal in 1990. He became an assistant to Matthew Barney, who advised him to concentrate on creating works which have personal meaning to him.
Many of Edmier's works have very close personal connections to his life. He embarked on the creation of the exhibit "Bremen Towne", where he recreated in exact detail, his childhood home and the family's rooms in it. While his parents had sold the home and were now living in nearby Orland Park, Illinois, they contacted the present owner, who agreed to grant Edmier access to the home where he grew up. The construction of the life-size rooms took the artist over a year. It was shown by Petzel Galleries in 2008.
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