Whose side are you on? Mike Seymour, Zap Andersson & Matt Wallin talk about the visual effects in Marvel's 2016 Summer hit, Captain America - Civil War. Listen online at FX Guide or subscribe for free in iTunes.
Francis Ford Coppola's "Godfather Notebook"
Coppola is an absolute genius. I love the bit where he talks about cutting out the pages of the book and fastening them to his own cut out pages for the giant notebook. Its so obsessive. This book is soon to be released as a special edition printing via Regen Arts publishing. It will undoubtedly function as a master class in preparation, adaptation and directing.
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Learning From Mistakes
A great article in the The San Francisco Chronicle explores the design and execution of the famous Imperial Walker assault sequence from The Empire Strikes Back. I wanted to highlight the last two paragraphs of the piece quoting Joe Johnston:
Learning from their mistakes
Johnston says he doesn’t think the “Star Wars” original trilogy effects crew should be remembered as a well-oiled machine or a crack team with a clear road to success. They were something less than that, and also more.
“I firmly believe that the key to the success of ILM lay in the fact that we often had no idea how to solve a particular problem,” Johnston says. “On every film, in almost every sequence we had to brainstorm, invent and build solutions to new challenges. We made a lot of mistakes and shot a ton of film that no one will ever see, but we ultimately put images on the screen that helped make the trilogy a new milestone in cinema. And what better way to learn than from your mistakes?”
After graduating from the Cinema program at San Francisco State University in 1992 I went straight to work for ILM. I was twenty-two years old. I'd never worked at a creative company before and the mindset described by Johnston is a deep part of the DNA of Lucasfilm and ILM. Perhaps is was George Lucas himself who instilled that "can do" attitude or may be it was the founding members of the ILM team. Either way, being immersed in such a culture changes you.
Since leaving ILM in 1999, I've worked at multiple visual effects companies on various projects, ran my own small visual effects studio and taught as a professor at VCU. Working at ILM was the best education I could ever have hoped for and has helped shape my overall outlook and decision making process in multiple ways. I don't think I knew it at the time, as I didn't have much to compare it to, but that kind of optimistic problem solving and the willingness to say "yes", to "figure it out", is extrememly rare.
While some tasks can indeed be intimidating, they can always be navigated or overcome. All you have to do is roll up your sleeves, get in there and start working the problem.
My time at ILM fundamentally changed me. I've seen what success looks like. It looks like hard work, exploration, lots of mistakes, creativity, teamwork and perseverance.
Click on the image below to read the article. It's a great history and pretty inspiring.
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VFX Show #207: Batman v Superman
Mike Seymour, Matt Leonard & Matt Wallin desaturate themselves and enter the bleak, dark and souless world of Zach Snyder's "Batman v Superman". Listen online for free at FX Guide by clicking on the image below or subscribe for free in iTunes.
Chrissy Baucom: Vestiges & Relics
Chrissy Baucom's show is up at Second Street Gallery through March 25th.
A Complete History of the Millennium Falcon (updated)
Michael Heilemann has an amazing piece on his website kitbashed.com on the history of the development and design of the Millennium Falcon. Its more than worth a look. Heilemann goes in depth in examining the evolution of the designs of model maker Colin Cantwell and concept artists Joe Johnston & Ralph McQuarrie.
Original Star Wars concept designer and director Joe Johnston posted his memories of the development of the ship on his Facebook page. Read it online here.
Ex Machina: VFX Oscar
Andrew Whitehurst, Sarah Bennett, Paul Norris, Mark Ardington and the team at Double Negative took home the Visual Effects Oscar last night in a surprise upset. Ex Machina was one of my favorite films of 2015 and serves as a textbook example of how visual effects, theme, story, script, acting, directing and all the elements of filmmaking can come together seamlessly to create completing characters and a totally believable world. Congratulations to the whole team involved in this truly original film.
Be sure to check out FX Guide's interview with Whitehurst here.
VFX Show #206: Deadpool
Jason Diamond, Mike Seymour & Matt Wallin break the fourth wall and discuss the film and visual effects in the surprise hit of early 2016, Deadpool. Listen live on FX Guide or subscribe in your favorite podcasting app.
David Bowie: 1947-2016
VFX Show #205: Star Wars: The Force Awakens
A long time ago in a galaxy far, far away.... Jason Diamond, Mike Seymour & Matt Wallin discuss the visual effects in JJ Abrams' Star Wars: The Force Awakens.
Listen free online at FX Guide.
(Smog) I Am Star Wars...
Bill Callahan, aka (Smog), from his album Julius Caesar, 1993.
VFX Show #204: Spectre
Join Mike Seymour, Todd Scholton & Matt Wallin as they talk visual effects in the 24th installment in the James Bond franchise, "Spectre". Listen online at FX Guide or subscribe via your favorite podcast tool.
Blackstar
VFX Show #202: Mission Impossible: Rogue Nation
Your mission, should you choose to accept it, is to listen to Mike Seymour, Jason Diamond and Matt Wallin as they discuss the visual effects in Mission Impossible: Rogue Nation. Listen online at FX Guide or subscribe for free in iTunes. This blog post will self destruct in ten seconds.
Current Geek #61: Your Effects Are Special
Matt Wallin was the guest this week on Current Geek with the awesome and talented hosts Scott Johnson and Tom Merritt. They talk about some of the top stories of the week in technology, games, movies, comics, tv, culture and more. You can watch the video below or subscribe for free to the audio feed in iTunes.
VFX Show #200: Terminator: Genisys & The Digital Character
Mike Seymour, TyRuben Ellingson and Matt Wallin celebrate the bicentennial episode of the VFX Show and talk about the synthetic Arnold, digital humans and Terminator: Genisys. Come with us if you want to live. Listen online by clicking on the image below or subscribe for free in iTunes.
VFX Show #197: AVENGERS Age of Ultron
There are no strings on Matt Wallin, Mike Seymour and Ian Failles on the VFX Show podcast as they discuss Joss Whedon's "Avengers: Age of Ultron". Click on the image below to listen online or subscribe for free in iTunes.
Filmage: The Story of Descendents/All
“FILMAGE: The Story of DESCENDENTS/ALL,” directed by Matt Riggle & Deedle LaCour chronicles the legends of punk and treats audiences to interviews with the band and contemporaries Dave Grohl (Foo Fighters, Nirvana), Mark Hoppus (Blink-182), Mike Watt (Minutemen) Brett Gurewitz (Bad Religion) and many more revealing the untold story of one of the most influential bands in punk.
website: www.FILMAGEmovie.com
Salad Days: The Birth of Punk in the Nation's Capital
A great trailer for Scott Crawford's documentary, Salad Days. I grew up during the same time in Orange County, California where a very similar scene was taking place against a starkly contrasting backdrop. The OC and DC worlds often collided at shows creating some of the most formative memories of my youth. I can not wait to see this film. It looks great.