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Follow the money and listen to Paul Zadie and me talk about one of my all time favorite films, Alan J. Pakula's "All The President's Men".
Click on the image below to listen online or subscribe for free in iTunes.
Pakula and Redford discuss a scene on the Washington Post newsroom set.
Kneel before Mike Seymour, Jason Diamond & Matt Wallin as we discuss the visual effects of Zack Synder’s Man of Steel.
Click on the images below to listen online or subscribe for free via iTunes.
1906 - This view was taken later in the year. It shows the damage and reconstruction starting in the city after the April 18th disaster. George R. Lawrence was an early pioneer in aerial photography. Lawrence was not an artist, but he was a gifted engineer and a canny businessman. In 1900, he built what was then the largest camera ever constructed: a 1,400-pound monster that required 15 operators and took photographs that were eight feet wide and 4 1/2 feet high, in order to capture the Chicago and Alton Railroad's Alton Limited. The following year Lawrence got into aerial photography, taking a balloon up above the stockyards; the basket separated from the balloon, dropping Lawrence 200 feet, when telephone and telegraph wires broke his fall. Soon afterwards he built a system of kites, the "Lawrence Captive Airship": "a kite train of up to 17 Conyne kites on a piano wire cable suspending a camera held by the specially designed stabilizing mechanism." He made $15,000 alone on sales of a picture of San Francisco after the 1906 earthquake, or about $375,000 today. This is only a detail of the original, which shows downtown and towards the west.
The sequel to one of my all time favorite comedies now has its first full length trailer. I can't wait.
Some friends pointed me to this recording of the vocal track from the Queen & David Bowie duet of the song "Under Pressure" from the 1981 Queen album "Hot Space". One of the greatest songs ever if you ask me. Listen to the track below.
Sean Penn, Mary Stuart Masterson & Christopher Walken in James Foley's 1986 film, "At Close Range" is now available for streaming on Netflix for the first time. I love this film as a study in low budget (6.5 million), character driven narrative. Amazing script (based on a true story), great acting and beautifully shot by Juan Ruiz-Anchia.
Check it out if you've never seen it. Click on the image below for more info.
Sean Penn and Christopher Walken in James Foley's 1986 flim, "At Close Range"
Mike Seymour, Mark Christiansen and Jason Diamond discuss the visual effects of J.J. Abrams’ Star Trek Into Darkness.
Click on the image below to listen online or subscribe for free in iTunes.
In 1944, a U.S. bomber was hit by Japanese anti-aircraft fire, and the crew bailed out and parachuted into the wilderness. They were taken in and protected by members of the Dayak tribe - the "wild men of Borneo," who were infamous for their custom of hunting and smoking enemy heads. Months later, the airmen were found by an eccentric British Major who devised an ingenious plan to rescue the men. A crazy true story that's almost impossible to believe.
This would make an amazing motion picture.
This has been going on every night in our backyard for the past few weeks. Amazing creatures.
taken in our yard....emerging...
on the move...
The biggest public transit infrastructure effort in the US is almost completely invisible — unless you’re 160 feet underground. The East Side Access project will connect the Long Island Railroad to New York’s Grand Central Terminal via a massive tunnel under the East River.
Read the full story on Wired.
Click on the image below to visit the "Tenth Letter of the Alphabet" blog to read a fun and informative story on the evolution of the now famous "Star Wars" logo.
Here's the latest VFX Show on Iron Man 3. Mike Seymour, Ian Failles and I talk about the film, the visual effects and debate the merits of a couple of superhero trilogies. Click on the images below to listen online or subscribe for free in iTunes.
On the 40th anniversary of the famous ‘Blue Marble’ photograph taken of Earth from space, Planetary Collective presents a short film documenting astronauts’ life-changing stories of seeing the Earth from the outside – a perspective-altering experience often described as the Overview Effect.
The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment.
‘Overview’ is a short film that explores this phenomenon through interviews with five astronauts who have experienced the Overview Effect. The film also features insights from commentators and thinkers on the wider implications and importance of this understanding for society, and our relationship to the environment.
Mike Seymour, Matt Wallin and TyRuben Ellingson make an "effective team" as they talk about Sci-Fi, clones and the Joseph Kosinski film, “Oblivion”.
Click on the image below to listen online or subscribe for free in iTunes.
The Bubble Ship designed by Daniel Simon.
Click this image to visit the webpage of designer Daniel Simon.
The spinning vortex of Saturn's north polar storm resembles a deep red rose of giant proportions surrounded by green foliage in this false-color image from NASA's Cassini spacecraft. Measurements have sized the eye at a staggering 1,250 miles (2,000 kilometers) across with cloud speeds as fast as 330 miles per hour (150 meters per second).
This image is among the first sunlit views of Saturn's north pole captured by Cassini's imaging cameras. When the spacecraft arrived in the Saturnian system in 2004, it was northern winter and the north pole was in darkness. Saturn's north pole was last imaged under sunlight by NASA's Voyager 2 in 1981; however, the observation geometry did not allow for detailed views of the poles. Consequently, it is not known how long this newly discovered north-polar hurricane has been active.
The images were taken with the Cassini spacecraft narrow-angle camera on Nov. 27, 2012, using a combination of spectral filters sensitive to wavelengths of near-infrared light. The images filtered at 890 nanometers are projected as blue. The images filtered at 728 nanometers are projected as green, and images filtered at 752 nanometers are projected as red. In this scheme, red indicates low clouds and green indicates high ones.
The view was acquired at a distance of approximately 261,000 miles (419,000 kilometers) from Saturn and at a sun-Saturn-spacecraft, or phase, angle of 94 degrees. Image scale is 1 mile (2 kilometers) per pixel. The Cassini-Huygens mission is a cooperative project of NASA, the European Space Agency and the Italian Space Agency. NASA's Jet Propulsion Laboratory, a division of the California Institute of Technology in Pasadena, manages the mission for NASA's Science Mission Directorate, Washington, D.C. The Cassini orbiter and its two onboard cameras were designed, developed and assembled at JPL. The imaging operations center is based at the Space Science Institute in Boulder, Colo.
For more information about the Cassini-Huygens mission, visit: http://www.nasa.gov/cassini and http://saturn.jpl.nasa.gov. The Cassini imaging team homepage is at http://ciclops.org.
Image Credit: NASA/JPL-Caltech/SSI
Freefly's MōVI used to shoot this footage without a second operator for tilt/focus, etc. One operator handheld.
We'll see. I pulled the trigger on this thing today and it ships sometime in July 2013. Looks like its essentially the promise of simply a sensor on the end of some great glass. At a price point of just under 1K, Lossless CinemaDNG RAW and Apple ProRes 422 (HQ) at 1920 x 1080, 13 stops of dynamic range, it looks to be a revelation. Click on the seemingly ridiculous image below to read more on Blackmagic Design's site.
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